A successful Los Angeles lawyer discovers that a short-term affair could have long-term consequences when a woman he had a brief affair with claims that she's currently pregnant with his unborn child.

A Witch Doctor with a vendetta. The worlds new plastic normal is anything but! See the victims of marketing and cosmetic surgery melt in this tale of terror.

A former Minor League pitcher projects his Major League aspirations on his 17-year-old son, taking him on a desperate cross-country road trip to get him recruited by a college baseball team.

Every family has its issues but what happens when the patriarch in the family is not happy with the behaviors of his children? Cha Bong Soon does not intend to just sit back and take bad treatment from his three adult children – Cha Kang Shim, Cha Kang Jae and Cha Dal Bong – and decides to take legal action against them. With such chaos going on in her family, Kang Shim has a tough time focusing on her job as secretary to the president of Daeoh Company and constantly at odds with the president's son, Moon Tae Joo, the company director. Will Tae Joo get sucked into the Cha family drama as well?

A naïve young woman goes to Istanbul to meet the now-grown boy who jokingly promised to marry her in 11 years after she saved his life as a child.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

Did Nick Ray leave Hollywood, or did Hollywood leave him? What was he up to when he returned to the States after a decade in Europe? What was his intention with We Can’t Go Home Again, that experimental film he made with a bunch of college students? What was he doing with so many images on the screen all at once? How did he do it? Why was the film never finished? Did he lose his way, his talent, his sanity, his common sense? Don’t Expect Too Much, a feature-length documentary helmed by Ray’s wife Susan, investigates these questions and the relationship forged by Ray between his life and his art. Drawing on the director’s archive of never-before-seen film, video and stills, Susan finds answers to our questions about Nick Ray in Nick Ray’s own words and images. And we learn from interviews with members of the original crew of We Can’t Go Home Again, directors Jim Jarmusch and Victor Erice, and others, how this man lived, saw, learned and taught, how he fought and danced with his demons, how he loved.

When Jeff discovers that the bowling alley he manages is being sold, he must do everything he can to save the place he's come to call home.

When Jeff discovers that the bowling alley he manages is being sold, he must do everything he can to save the place he's come to call home. This is the original / short.

一所女子学校的老师被怀疑是凶手。这是1972年电影《你对索兰奇做了什么？》的翻拍版。